Sunday 28 July Has a double plot twist which is utilized in cleaver and unpredictable fashion. MyMovies: Watched on Amazon Osanna Milano Calibro 9. Osanna were among the first bands in the world to present themselves theatrically in their shows, featuring costumes and made-up faces. It is a construction thing of a huge baroque. Wednesday 17 July
The director films the violent scenes with panache and piazzazz. An underrated filmmaker in Italian cinema. Soundtrack of Milan Calibre Nine is awesome and cool.
Luis Enriquez Bacalov is excellent at performing music for Italian Crime and Western motion pictures. The Police are depicted in a cynical and unsympathetic light. The only Police officer who comes out in a sympathetic tone is Fonzino who's only in the movie for a few minutes.
The major action sequence in Milan Calibre 9 prefigures John Woo. What's so twisted about the end of the motion picture is its Rocco whose the most trust worthy person in the entire story. Gastone Moschin gives a gripping performance as a man who cannot escape his tragic fate. The scene where Nelly Bordon played by Barbara Bouchet is doing an erotic dance is filmed with multiple camera angles.
An sensual introduction to the character of Barbara Bouchet. The editing in this one scene is good and imaginative. Barbara Bouchet is definitely one of the beautiful women from the s when one sees Milan Calibre 9 An example of the growing popularity of the gangster movie in Italy. Milan Calibre 9 is in my opinion belongs among the top ten of Italian gangster pictures.
The Godfather may have influenced the gangster film in Italy during the s, but Milano Calibro 9 takes on a life of its own. I've was very impressed by Milano Calibro 9 that I've taken an interest in other films from this genre and decade in Italian cinema.
Provided many influences and inspirations for filmography of Quentin Tarantino. His portrayal of tough guys in his films takes a page out of Milan Calibre 9 as well as other mafia features by Fernando Di Leo. The sadistic violence and unpredictable plot twists can be seen in Resevoir Dogs and Pulp Fiction Enjoy a night in with these popular movies available to stream now with Prime Video. Start your free trial. Find showtimes, watch trailers, browse photos, track your Watchlist and rate your favorite movies and TV shows on your phone or tablet!
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Authority control MusicBrainz : aa4c-0aca61b-cdde7. Categories : Italian progressive rock groups Italian rock music groups Italian musical group stubs. Namespaces Article Talk. Views Read Edit View history. A good combination. Some of the "Variations" are also quite pleasant but the first one, which is fully jazz oriented is really beyond my understanding.
Most of these pieces are short to very short and can't really be described as songs or tracks. The only one corresponding to this status is "II". Fine theme changes ranging from slightly heavy to delicate acoustic. Wild guitar work at the end of this part, coming almost out of the blue. Tull is back again with the third "Variazone". Almost exclusively flute oriented, it is another pleasant moment. Not fully original but one has to take what's available.
And the forth one is just purely experimental and heavy. Press nextT. To highlight the diversity of the band, it is only necessary to listen to "V" and "VI" which are diametrically different. Ambient for the former and heavy for the latter. The former, in this case, has my preference. Neither bad nor great, I consider this album just average. Typical of a soundtrack, lots of parts are really too short to be fully appreciated.
But all normally formatted parts are pleasant, including the beautiful and melodic ballad which closes this release: "Canzona" even if fianl part is drowned under heavy orchestrations. I upgrade my rating to three stars from a five out of ten. Despite this not being a total-control type of OSANNA album and designed to serve the mood of the film which i've never seen it still sounds very much like the same musicians who performed on "L'Uomo" and "Palepoli.
The music is primarily instrumental with a couple tracks offering Lino Vairetti's signature vocal style. The music despite being suited for a soundtrack sounds very much like the eclectic OSANNA of the surrounding albums with Danilo Rustici's signature guitar riffing, Elio D'Anna's distinct flute and sax contributions and Massimo Guarino's equally unambiguous drum patterns.
Soundtracks are tricky beasts to rate and review since they are more often than not so inextricably intertwined with the theme and mood of the film in which they appear, so i personally have to have a connection with the music independently since a soundtrack without the film is and should be held up to scrutiny independently. While i have no idea how it fits in to the movie itself, i actually find this one a beautiful listening experience.