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Genius GZA Liquid Swords


In Brackett, Nathan; Hoard, Christian eds. Similar to other early solo Wu-Tang albums, Liquid Swords was recorded in RZA's basement studio in Staten Island, with some beats playing for over two days straight while recording. Facebook Twitter Instagram Youtube. NME : Down by law, I make law I be justice, I sentence that Genius GZA Liquid Swords two to four Round the clock, that state pen time, check it But the pens I be sticking with, you can't state the crime Came through with the Wu, slid off on the DL I'm low-key like seashells, I rock these bells Now come aboard, it's Medina bound Enter the chamber, and it's a whole Genius GZA Liquid Swords sound It's a wide entrance, small exit like a funnel So deep it's picked up on radios in tunnels Niggas are fascinated how the shit begin Get vaccinated, my logo is branded in your skin [Chorus] When the MCs came to live out the name and to perform Some had to P Milray K Jenkins Nomination Genius GZA Liquid Swords to act insane before Pete rocked it on Now on with the mental plane to spark the brain with the building to be born Yo, RZA, flip the track with the what to cut. Lyrically, it's not my best work. GeffenMCA.

GZA told Wax Poetics ,. I think RZA played the beat for me and I just spit to it right there. True to form, GZA drops 11 similes and 13 metaphors in just his two verses on this track. We'll have things fixed soon. Facebook Twitter Instagram Youtube. Album Liquid Swords. More on Genius. Additional Vocals RZA. Mastered by Tom Coyne. Release Date November 7, Punchline, J. November 28, saw the release of the album's third single "Cold World. I can picture the track and just vibe off it.

The fourth and final single released for the album was "4th Chamber," released early , with "Shadowboxin'" as its B-Side. Plus, Ghost killed it with his verse so I knew I had to come correct. He delivered so well. This song, the guest verses, the video, the crowd response, all turned out perfect for this one.

Upon its release, Liquid Swords received critical acclaim. In his review for Entertainment Weekly , Dimitri Ehrlich said that, "With its tight beat, Liquid Swords emphasizes the finesse with which GZA weaves his vocals over straightforward rhythms. That's an astonishing fact when one considers the volume of work he's put out this year. Liquid Swords contains all the elements of RZA's increasingly sophisticated style: shuffling kicks, neck snapping snares, haunting melodies via strings or vibe-like textures and penetrating bass tones.

Folks may as well hand the key over. Liquid Swords has officially put shit on lock. Here he again provides a series of austere rhythms, sparsely dotting violin stabs and plucked harps to provide the perfect backdrop to Genius' downbeat tales of New York's mean streets… Liquid Swords sneaks under the tape to qualify as Rap Album Of The Year. L J'amal Walton from The Chronicle wrote a favorable review of the album stating "All the tracks are good. This is a CD that you can pop into the player without worrying about programming the CD player to skip bad tracks Coker from Los Angeles Times wrote, "like a hip-hop M.

Escher , this Wu-Tang Clan member serves up urban tales that reveal layer after layer of thought with repeated listening. The head-banging "Gold," the hypnotic "4th Chamber" and the ice-smooth "Shadowboxing" add to the evidence that the Wu-Tang Clan are the kings of New York rap.

In a retrospective review, Chris Smith from Stylus Magazine wrote a favorable review of the album stating "like one who tries to catch lightning in a bottle again, they Wu-Tang never yet managed to make anything this memorable, otherworldly, and strangely beautiful again. A lot of good Wu-Tang Clan albums have been released over the years, both collectively and individually, but out of all the solo albums this may be the best—if not one of the top two or three.

The Genius' eerie calm is a great match for RZA's atmospheric production, which is tremendously effective in this context; the kung fu dialogue here is among the creepiest he's put on record, and he experiments quite a bit with stranger sounds and more layered tracks.

Not only is RZA in top form, but every Clan member makes at least one appearance on the album, making it all the more impressive that Liquid Swords clearly remains the Genius' showcase throughout.

All of his collaborators shape themselves to his quietly intimidating style, giving Liquid Swords a strongly consistent tone and making it an album that gradually slithers its way under your skin [ On October 8, , the Recording Industry Association of America announced that the album had earned a platinum certification for having sold more than 1 million copies.

It became the first Wu-Tang-related album to get certified since , when Method Man and Ghostface Killah both earned plaques. Notes [30]. From Wikipedia, the free encyclopedia. The track features gritty, surreal lyrics, simple musical variation, and an eerie-sounding, RZA-produced beat. The lyrically raw track contains an electric guitar-laden beat and metaphysical imagery by Ghostface Killah. The album's lead single has a looping, feverish horn line and lyrics about urban, criminal lifestyle.

Humphrey — photography Denys Cowan — cover art. Retrieved June 20, May The Making Of Liquid Swords page 1. Wax Poetics. The Seattle Times. Retrieved on Review: Liquid Swords. Stylus Magazine. The Making Of Liquid Swords page 2.

Retrieved August 3, The Encyclopedia of Popular Music 5th concise ed. Omnibus Press. Entertainment Weekly. The Guardian. December 2, Los Angeles Times. NME : November 11, Retrieved July 27, Q : February November 30, Rolling Stone : 66— The Source Archived from the original on March 30, The Chronicle : November 30, Archived from the original on Christgau's Consumer Guide: Albums of the '90s. Macmillan Publishers.



Down by law, I make law I be justice, I sentence that ass two to four Round the clock, that state pen time, check it But the pens I be sticking with, you can't state the crime Came through with the Wu, slid off on the DL I'm low-key like seashells, I rock these bells Now come aboard, it's Medina bound Enter the chamber, and it's a whole different sound It's a wide entrance, small exit like a funnel So deep it's picked up on radios in tunnels Niggas are fascinated how the shit begin Get vaccinated, my logo is branded in your skin [Chorus] When the MCs came to live out the name and to perform Some had to snort cocaine to act insane before Pete rocked it on Now on with the mental plane to spark the brain with the building to be born Yo, RZA, flip the track with the what to cut.

RZA is featured on the hook, while GZA produces two outstanding verses that exemplify his ability to make every word bite and snarl. GZA told Wax Poetics ,. I think RZA played the beat for me and I just spit to it right there.

True to form, GZA drops 11 similes and 13 metaphors in just his two verses on this track. We'll have things fixed soon. Facebook Twitter Instagram Youtube. Album Liquid Swords. More on Genius. Additional Vocals RZA. Mastered by Tom Coyne. I actually saw it grow and come together, and felt that it was special as we were doing it.

If you listen to it and compare it to what's out now, it's timeless. Lyrically, it's not my best work. Not at all. But the chemistry? Overall, I mean, c'mon! RZA's atmospheric production? It's my best album. Milestone's Color Editor, Jason Scott Jones created the cover color art digitally at a time when digital coloring was emerging in comic art eventually becoming the standard.

Garfield, commissioned Cowan. The concept of the chessboard with its sword-wielding warriors was conceived by GZA, an avid chess player. After the cancellation of an appearance in Brooklyn, New York, the performance was rescheduled for December 13 and 14 at the Knitting Factory in New York.

Four total singles were released for Liquid Swords. The first of which was "I Gotcha Back," released August 22, Describing the song's background and theme, GZA later stated "This was a short rhyme I wrote for one of my nephews.

I had two nephews in the video, they were both real young at the time. And in video, they both had met up and shots rang out from some young gangsters. One of my nephews ended up getting eights years for that shit. So the whole song is a sad irony to me now. The second single released for the album, was the title track "Liquid Swords," released over one year later on October 10, I think RZA played the beat for me and I just spit to it right there. November 28, saw the release of the album's third single "Cold World.

I can picture the track and just vibe off it. The fourth and final single released for the album was "4th Chamber," released early , with "Shadowboxin'" as its B-Side.

Plus, Ghost killed it with his verse so I knew I had to come correct. He delivered so well. This song, the guest verses, the video, the crowd response, all turned out perfect for this one. Upon its release, Liquid Swords received critical acclaim. In his review for Entertainment Weekly , Dimitri Ehrlich said that, "With its tight beat, Liquid Swords emphasizes the finesse with which GZA weaves his vocals over straightforward rhythms. That's an astonishing fact when one considers the volume of work he's put out this year.

Liquid Swords contains all the elements of RZA's increasingly sophisticated style: shuffling kicks, neck snapping snares, haunting melodies via strings or vibe-like textures and penetrating bass tones. Folks may as well hand the key over. Liquid Swords has officially put shit on lock. Here he again provides a series of austere rhythms, sparsely dotting violin stabs and plucked harps to provide the perfect backdrop to Genius' downbeat tales of New York's mean streets… Liquid Swords sneaks under the tape to qualify as Rap Album Of The Year.

L J'amal Walton from The Chronicle wrote a favorable review of the album stating "All the tracks are good. This is a CD that you can pop into the player without worrying about programming the CD player to skip bad tracks Coker from Los Angeles Times wrote, "like a hip-hop M. Escher , this Wu-Tang Clan member serves up urban tales that reveal layer after layer of thought with repeated listening. The head-banging "Gold," the hypnotic "4th Chamber" and the ice-smooth "Shadowboxing" add to the evidence that the Wu-Tang Clan are the kings of New York rap.

In a retrospective review, Chris Smith from Stylus Magazine wrote a favorable review of the album stating "like one who tries to catch lightning in a bottle again, they Wu-Tang never yet managed to make anything this memorable, otherworldly, and strangely beautiful again.

A lot of good Wu-Tang Clan albums have been released over the years, both collectively and individually, but out of all the solo albums this may be the best—if not one of the top two or three. The Genius' eerie calm is a great match for RZA's atmospheric production, which is tremendously effective in this context; the kung fu dialogue here is among the creepiest he's put on record, and he experiments quite a bit with stranger sounds and more layered tracks. Not only is RZA in top form, but every Clan member makes at least one appearance on the album, making it all the more impressive that Liquid Swords clearly remains the Genius' showcase throughout.

All of his collaborators shape themselves to his quietly intimidating style, giving Liquid Swords a strongly consistent tone and making it an album that gradually slithers its way under your skin [ On October 8, , the Recording Industry Association of America announced that the album had earned a platinum certification for having sold more than 1 million copies.

It became the first Wu-Tang-related album to get certified since , when Method Man and Ghostface Killah both earned plaques. Notes [30]. From Wikipedia, the free encyclopedia. The track features gritty, surreal lyrics, simple musical variation, and an eerie-sounding, RZA-produced beat. The lyrically raw track contains an electric guitar-laden beat and metaphysical imagery by Ghostface Killah. The album's lead single has a looping, feverish horn line and lyrics about urban, criminal lifestyle.

Humphrey — photography Denys Cowan — cover art. Retrieved June 20, May The Making Of Liquid Swords page 1. Wax Poetics. The Seattle Times. Retrieved on Review: Liquid Swords. Stylus Magazine.



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Dec 01,  · Liquid Swords is the second solo studio album by Wu-Tang Clan member GZA. Upon its initial release, Liquid Swords received critical acclaim for its complex lyricism and hypnotic musical style. Over the years, its recognition has grown, with a number of famous publishers proclaiming it as one of the greatest hip hop albums of all time/5(). Jan 23,  · Discover releases, reviews, credits, songs, and more about Genius* / GZA - Liquid Swords at Discogs. Complete your Genius* / GZA collection/5(K). About “Liquid Swords”. “Liquid Swords” is the title track and first song on GZA’s classic album. RZA is featured on the hook, while GZA produces two outstanding verses that exemplify his ability to make every word bite and snarl. GZA told Wax Poetics, “This track is just braggadocios. It .