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Iannis Xenakis Electro Acoustic Music


Iannis Xenakis. The strict basic pulse and tempo given by the computer have been rendered slightly more 'human,' and are no less the worse off for this. The final section of massed glissandi has many internal shifts in density. Died February 4, in Paris, France. With its growing catalog of important reissues, the German label Edition RZ fills Iannis Xenakis Electro Acoustic Music great need for comprehensive documentation of music of the s, '60s, and '70s, and presents many historic recordings on CD for the first time.

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Namespaces Article Talk. Views Read Edit View history. In other projects Wikimedia Commons. By using this site, you agree to the Terms of Use and Privacy Policy. The composer considers Concret P-H as a prototype of the musical definition discussed above. He describes the effect of the music in the Pavilion as that of "lines of sound moving in complex paths from point to point in space, like needles darting from everywhere.

The present recording offers a revised version of the original work -- hence its additional number. Despite the fact that Xenakis uses many computational methods, both manual and mechanized, to construct his instrumental works, his electro-acoustic music is not the direct result of mathematical operations.

The sounds that are used possess by their nature the qualities of which the mathematical formulae are abstracted reflections. Thus, instead of working "outside of time" to find general mathematical structures which then give rise to specific temporal events as in his instrumental music , Xenakis feels that there is a direct contact with materials that have statistical properties, and he approaches the work in the manner of sculpture.

The final section of massed glissandi has many internal shifts in density. Items Per Page : 25 50 Electronic Music. Jeanne Dielman presents a reissue of a collection of Iannis Xenakis 's work titled Electronic Music , originally released in Some of the earliest works from a truly groundbreaking composer in the realms of electronic music, musique concrete, electro-acoustic, 20th century classical, and more. The Romanian-born, Greek-French composer Iannis Xenakis was instrumental in the introduction of mathematical models into composition and helped revolutionize electronic music in the middle 20th century.

Collecting some of his earliest works in electronic and electro-acoustic music, this is a crucial set for any fans of 20th century classical experimentation. Limited repress. Persepolis is the longest electroacoustic composition by Iannis Xenakis who ranks among the most influential 20th century avant-garde composers. Commissioned by the Persian Shah, the piece was part of a multimedia performance -- Xenakis's so-called "polytopes" -- which premiered in in Shiraz-Persepolis Iran as a performance including light-tracks, laser beams, groups of children walking around with torches, and 59 loudspeakers to project the music in an open-air situation.

Out of print for decades now, the LP became -- especially the Japanese edition from -- one of the most expensive collector's item of electroacoustic music. There were some later CD versions with different durations -- too long due to a wrong sample rate, others shortened by three minutes due to other reasons. Streams Videos All Posts. Main Album Iannis Xenakis Release Date October 18, Label Edition RZ.

Xenakis ' work was always considerably more abrasive than that of his contemporaries, and is comparable only to the work of Karlheinz Stockhausen , who was similarly interested in noise and sonic phenomena during the '60s. The works on this CD such as "Polytopes" and "Concrete PH" are concerned with "clouds of sound" where the density is extreme, giving these tape works complex textures that can be examined for hours and at different volumes, presenting effects from curious ambience to engaging and rigorous sound worlds.

This archival collection comes highly recommended. It is more than a footnote in the history of electronic music, as many reissues can be; rather, this is a vital document in the shaping of lateth century music.

AllMusic relies heavily on JavaScript. Ergma, for string quartet. Eridanos, for 68 musicians. Evryali, for piano. Electronic Music. Herma, for piano. Hibiki Hana Ma, for 8-channel tape. Horos, for 89 musicians. Ikhoor, for string trio. Ioolkos, for 89 musicians. Ittidra, for string sextet. Jalons, for 15 musicians. Jonchaies, for musicians. Keren, for trombone. Brass Quintet.



You start with a sound made up of many particles, then see how you can make it change imperceptibly, growing, changing, and developing, until an entirely new sound results. I likened it to the onset of madness, when a person suddenly realizes that an environment that had seemed familiar to him has now become altered in a profound, threatening sense. This happened because the original recorded sounds utilized by the composers consisted of a block of one kind of sound, then a block of another, and did not then extend beyond this.

Also, I explore the realm of faint sounds highly amplified. There is usually no electronic alteration of the original sound, since an operation such as filtering diminishes the richness of a sound.

The basic manipulations I employ in electro-acoustic music are tape-speed change, mixing, and splicing. Four hundred loudspeakers, lining the interior of the shell, were required to fill up the space with the sonic scintillations of Concret P-H and to effect a common emanation from architecture and music, conceived as an entity: the roughness of the concrete and its coefficient of internal friction was echoed in the timbre of the scintillations.

The composer considers Concret P-H as a prototype of the musical definition discussed above. He describes the effect of the music in the Pavilion as that of "lines of sound moving in complex paths from point to point in space, like needles darting from everywhere.

The present recording offers a revised version of the original work -- hence its additional number. Despite the fact that Xenakis uses many computational methods, both manual and mechanized, to construct his instrumental works, his electro-acoustic music is not the direct result of mathematical operations.

The sounds that are used possess by their nature the qualities of which the mathematical formulae are abstracted reflections. Thus, instead of working "outside of time" to find general mathematical structures which then give rise to specific temporal events as in his instrumental music , Xenakis feels that there is a direct contact with materials that have statistical properties, and he approaches the work in the manner of sculpture. The final section of massed glissandi has many internal shifts in density.

To obtain distinct and perceptible changes in density, Xenakis found that it was necessary to increase or decrease the number of events by a factor of between two and three; this he discovered through mixing and multiple-track recording. Rainy Day Relaxation Road Trip. Romantic Evening Sex All Themes. Features Interviews Lists.

Streams Videos All Posts. Brooding Mysterious. Track Listing. Iannis Xenakis. Bohor, for electro-acoustic sounds. Hibiki Hana Ma, for 8-channel tape. Bohor, for electro-acoustic sounds Iannis Xenakis. Chamber Music. Air populaire, for piano unpublished. Vocal Music. Open Form. Allegro molto, for piano unpublished.

Character Piece. Anaktoria, for 8 musicians. Antikhthon, ballet for 86 or 60 musicians. Aroura, for string ensemble. Ata, for 89 musicians. Bohor, for electro-acoustic sounds. Electro-Acoustic Music.

Chansons 6 , for piano. Embellie, for solo viola. Empreintes, for 85 musicians. Ergma, for string quartet. Eridanos, for 68 musicians. Evryali, for piano. Electronic Music. Herma, for piano. Hibiki Hana Ma, for 8-channel tape. Horos, for 89 musicians. Ikhoor, for string trio. Ioolkos, for 89 musicians. Ittidra, for string sextet.

Jalons, for 15 musicians. Jonchaies, for musicians. Keren, for trombone.



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Iannis Xenakis - Electro-Acoustic Music: Bohor I; Concret P-H II; Diamorphoses II; Orient-Occident III LP - ziggysbeachbar.com Music. Electroacoustic music is a style of Western art music which originated around the middle of the 20th century, following the incorporation of electric sound production into compositional ziggysbeachbar.com initial developments in electroacoustic music composition to fixed media during the 20th century are associated with the activities of the Groupe de Recherches Musicales at the ORTF in Paris, the. Check out Mycenae-Alpha by Iannis Xenakis on Amazon Music. Stream ad-free or purchase CD's and MP3s now on ziggysbeachbar.com