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Whiplash Power And Pain


The album kicks Whiplash Power And Pain with "Stage Dive". Bassist Tony Bono is surprisingly agile - his bass lines are supportive without being merely doubling, and he knows exactly when to throw in a good fill. Thursday 18 July Warmonger 6. Much of this has to do with their tremendously well-written and catchy songwriting.

Well, what doesn't? Tony Portaro does an insane job on the vocals and his guitar playing is outstanding as well. His vocals are very heavy, harsh, aggressive, truly powerful. Considering the fact that he did both guitars and vocals on this album, well holy shit. That's pretty fucking impressive. I mean there's no need to talk about it, you hear these riffs and solos he's playing, they're incredible.

They're very catchy, violent-sounding, very melodic, colorful, a combination of everything thrashers love. His riffs and solos sound like the guitar is the one singing and saying everything. There is a lot of emotion in them and it's very very hard to put emotion into thrash metal, he was one of the very few people that succeeded. I would also like to highlight the other two Tonys as well. Tony Scaglione on drums and Tony Bono on bass. Scaglione is insanely fast and very groovy, his fills make the already colorful riffs even more satisfying.

He's not restricting himself at all, he puts as many fills in as possible which might be a disadvantage in some people's eyes. Well, not in mine. I love it. Tony Bono is great too, his bass tone is very good, very deep and clean. I like the volume of the bass also, since it gives the songs that deep support that a bass should at all times.

His bass lines are very noticeable, they can be heard in any song, separately from the drums and Portaro's riffs. I feel like this is how it should be on every album. The fact that the bass is this present is great, it proves how much a good bass sound can add to an album.

The lyrics are decent, I wouldn't say outstandingly amazing because they really aren't. They're decent for the genre at that time. Most of the time, they aren't really deep, just kinda average.

However, the song "Power Thrashing Death" has some great lyrics about metal itself, I do not think any metalhead would not like those lyrics. The riffs also make it the absolute best song on the entire record.

Well, the production is the only issue for me. I normally do not take off points for this, but I have heard better sounding albums than this that came out before this one. Somehow, the instruments do not sound clearly enough.

They sound okay, but they could've been as clear as on Ticket To Mayhem. On this however, they are a little blurry. I do not know why that is, it may be intentional by the band, but I do think that this sounding could have indeed been clearer. Overall, this album is killer. It includes everything we love about thrash metal. All of the songs are great, there isn't a single "mediocre" thrash song.

All of the instruments are being played very properly, on a very high level of musicianship. The songs are full of energy, aggression, melody, I do not think we need anything else in a thrash metal album. It's a great combination of musical mastery and the intensity of thrash metal. Everybody should listen to this album that likes to listen to thrash metal, Power And Pain needs way more recognition. Even though Whiplash is fairly well-known, this album needs to be more famous.

Nailed To The Cross. Stagedive Get on the go over and done plotting the plan of attack It's time to fly over the stage high above each Marshall stack Passing the guard making the move scale the P. Red Bomb Night falls and she's out there walking the street Hiding sking to dog the blue coats on the beat The heat is on her tail tonight like never before Down on twenty seventh street where she breaks the law She bares her body to entice Another john to pay the price She earns her living on her back Her legs spread wide apart forevermore Moonlight's staring down at red bomb from above Tonight there will be no sex there'll be no lust Never doubt at any time she's worth the fee If you lay your money down then you'll agree Once she's in your sight long legs and red hair strike your appetite Time that you lock eyes with the red bomb try her on for size You'll do what you want, take what you will cause she's no cheap thrill Hand over your cash for the right price she'll give you the gash 3.

Last Man Alive Take a look to the sky for your pot of gold You can hear every cloud story to be told Listen close what is this Not bird or plane Could it be the H bomb fucking with your brain Even if you'd seen it you never would believe it Even in your sleep you would never dream it The bomb is falling fast nothing's going to stop it How will you know that you're the last man alive All it takes just one touch over one, two, three With a flick of a switch turn on World War 3 With a flash there will be no one left alive Search the earth just to find worldwide homicide Metal mass cuts the wind whistling through its course Suddenly crashing down hits the ground full force Aims to kill one and all bursting into flames Only you're left alive no one left to blame 4.

Message In Blood Black act of injustice brought by the wizard of evil Cast death and corruption who left the message in blood? Monday 10 June Tuesday 11 June Wednesday 12 June Monday 17 June Tuesday 18 June Wednesday 19 June Thursday 20 June Saturday 22 June Sunday 23 June Monday 24 June Tuesday 25 June Wednesday 26 June Thursday 27 June Friday 28 June Saturday 29 June Sunday 30 June Monday 1 July Tuesday 2 July Wednesday 3 July Thursday 4 July Friday 5 July Saturday 6 July Sunday 7 July Monday 8 July Tuesday 9 July Wednesday 10 July Friday 12 July Sunday 14 July Monday 15 July Tuesday 16 July Wednesday 17 July Thursday 18 July Friday 19 July Saturday 20 July Sunday 21 July Monday 22 July Tuesday 23 July Wednesday 24 July Thursday 25 July Friday 26 July Saturday 27 July Sunday 28 July Monday 29 July Tuesday 30 July Wednesday 31 July Thursday 1 August Friday 2 August Saturday 3 August Sunday 4 August Monday 5 August Tuesday 6 August The following song is a Whiplash classic.

Tony Bono has a great bass tone throughout the whole album, but most notably on this song. This song also comes equipped with a, somewhat, sing-a-long chorus. It also sounds a bit like the song that proceeds. Power and Pain finishes off with possibly the best song on the album, "Nailed to the Cross". As I said in the beginning, this is a great thrash album which was, sadly, overlooked.

Drew Tyler 4 Ripped straight from the heart of the 's, Whiplash's debut album shows a young band practically Ticket to Mayhem.

Insult to Injury. On 30 Music Lists. Add a Comment. Dethtrasher December 27th Comments.



Scrobble Stats? What is scrobbling? Artist images 34 more. Whiplash 76, listeners Related Tags thrash metal speed metal heavy metal There are multiple artists with this name: 1. They incorporate speed and New York style thrash into their music, with thrashing guitars, hooks, driven drumming and screaming fast lyrics.

Scaglione left the band for… read more. There are multiple artists with this name: 1. They incorporate speed and New York style thrash into their music, with thrashing guita… read more.

They incorporate speed and New York style thrash into their music, with thrashing guitars, hooks, driven drumming and screaming fast … read more. Similar Artists Play all. Trending Tracks 1. Play track. Love this track. More Love this track Set track as current obsession Get track Loading.

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Stagedive 2. Red Bomb 3. Last Man Alive 4. Message In Blood 5. Non-stop thrashing goodness right here folks. Album Rating: 5. They are just a normal thrash band with same music with different lyrics Digging: Annihilator - Ballistic, Sadistic. OH MAN! I remember this from my early thrash venturing days!

Digging: Tim Hecker - Anoyo. Whiplash Power and Pain 4. How can you go wrong with an album titled Power and Pain released by a band called Whiplash? The album kicks off with "Stage Dive". Blood will Spill! Next up is "Red Bomb", which is the least memorable song on Power and Pain.

After the slowest, we get the heaviest song, "Message in Blood", a non-stop thrasher. Dirty, distinct, and unforgiving. As far as East Coast thrash, Whiplash were certainly one of the best we had, blitzing alongside the better works of Anthrax, Nuclear Assault and Overkill, and leaving most of the rest completely in the dust. It's not my favorite of the bands works, as I prefer the writing on Ticket to Mayhem and the more melodic Insult to Injury, but it's undoubtedly their most vicious and energetic, the blazing trio putting everything on the line to hack the listener into bits and stake out a claim for themselves in the goldmine of their rising art form.

In fact, things only get boring on the rare occasions when they slow down. Yes, I timed the slow parts and used a calculator to figure this out. As far as the musicianship is concerned, Tony is highly impressive with his incredibly fast riffs and leads, both of which are highly memorable. He has a distinct style where almost every riff consists of hitting a single note furiously, then transitioning to a quick, catchy lick. Tony, on the other hand, does a great job pounding away at the drums quickly enough to keep up with pace.

It's a heavy explosion that will simply destroy you. It's relentlessly unstoppable, utterly dirty, and completely endless. This is Power and Pain , Whiplash's infamous debut and easily the craziest thing they've ever released. Every fan of the band knows about this insanity of an album! Also a personal note, after writing up a few Whiplash reviews here I think it's become pretty clear that they're overall one of my top favorite bands.

It's not just "yeah this one album here slays", but the majority of their stuff kicks a whole lot of ass. Of course I don't want to contradict myself here, this is after all my personal favorite from Whiplash along with many other fans. This is roughly over 30 minutes of Whiplash's true identity, their unmistakable sound with screamingly high pitched guitars provoking every single track here, riddled around the corner of every riff.

We've got nobody here but the infamous Tony trio making up the entire band. Portaro does an insane job handling both vocals and guitars. As a vocalist here he probably wouldn't sound too out of place in the black or death metal realm, but it's possibly better to compare him to the likes of Exumer's Mem Von Stein off their debut and vocalists similar to that style.

He growls and has a sctrachy tone to his singing, which is incredibly aggressive and downright sloppy at times. Though as many will tell you, that's the magic that is Whiplash. Who cares how sloppy this can get at times, this is metal! The production could probably be noted as a bit thin and has an emphasis on the guitars over everything else, but in Whiplash's case here such a mix is appropriate. Both Tony Bono on bass and Tony Scaglione on drums are clearly audible but overall the guitar stands out the most.

Bono is top notch as usual when he falls under the spotlight while drummer Scaglione who'd end up being replaced on the next Whiplash albums is practically just as skilled as next drummer Joe Cangelosi. Speed, style, and techniqure isn't much of a chore for him. Simply put, these Tony's are all totally killer.

There is absolutely no arguing that this release is hands down Whiplash's simplest and most straightforward album. You could say this is pretty comparable to what Agent Steel did with their debut Skeptics Apocalypse , the entire point of this album is just to simply kick your ass repeatedly song after song. What I said in my review for Agent Steel's debut can be applied here too - while this is certainly not that innovative compared to Whiplash's follow up albums, if you went to a fan of the band and asked them what some of their favorite picks were chances are they'd name off a handful of tracks from this release.

Whether it's the insane numbers Stage Bomb, Message In Blood, Power Thrashing Death and Stirring The Cauldron , or the more traditionally influenced and catchy tracks Last Man Alive and Nailed To The Cross , the consistency is constantly there and you'll surely find yourself favoring a handful of the tracks here if you dig the style. For me the honorable mention goes towards Power and Pain , it's the epitome of what this debut is and Whiplash in general, undeniably their own sound that has never been truly copied.

Also do yourself a favor and check out the bands other releases, especially Ticket To Mayhem which does have some tracks that wouldn't have been out of place here. Power thrashing death? Try 'none of the above', pretty much And it is very good speed metal indeed. Lots of fast riffage that is halfway between the first Agent Steel and Endless Pain, with lots of single-note repetition stuffs.

It's also a bit reminiscent of Possessed with the short melodic licks, though it doesn't have the evil atmosphere of that, or the overwhelming crunch of Kreator. The production is a bit lacking, which may explain the lack of overwhelming guitar force - I detect a distinct lack of harmonic treble, similar to the problem plaguing And Justice for All contrary to popular belief, it's not the lack of bass that makes AJFA sound shitty, it's the Hz low pass filter - this album seems to have it too.



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All songs written and composed by Tony Portaro. Recording information: Recorded at Systems II, Brooklyn, NY. Power and Pain is the debut album from New Jersey thrash metal band, Whiplash. It was released in on Roadrunner Records and was followed up by 's Ticket to Mayhem. In , Displeased Records rereleased Power and Pain, which included their second album, Ticket to ziggysbeachbar.com: Thrash metal, speed metal. Jan 08,  · Discover releases, reviews, credits, songs, and more about Whiplash - Power And Pain at Discogs. Complete your Whiplash collection/5().