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Dollar Brand Black Lightning


Pin on Pinterest. This is Gary Bartz's second and most amazing collaboration with Larry Mizell — a studio genius who could focus on the best talent of a jazz artist, then expand it using additional Dollar Brand 11, listeners Related Tags jazz piano piano jazz Dollar Brand changed his name to Abdullah Ibrahimand preferred Dollar Brand Black Lightning be called this. The record should play okay, though probably with surface noise. One of the last great Dollar Brand Black Lightning that Hank Mobley ever cut!

Which when you consider what the South African homeland of most of these musicians was like at the time, is very poignant. A man with too much vinyl and an itch in his typing finger. View all posts by Not an easy guy to find especially on record.

I guess this is one of the reasons I pop into look at your stuff. I love his playing so much, my dad is a big fan of his. Totally agree. Will keep an eye out. Sounds like the old man turned you onto some very cool music. Dismiss Internet Explorer is no longer supported on Last. Add artwork. Length 4 tracks, Release Date 30 August Related Tags jazz piano piano jazz african jazz piano Add tags View all tags.

Tracklist Sorted by: Running order Running order Most popular. Buy Loading. More Love this track. Play album Buy Loading. External Links Apple Music www.

Artist images. Dollar Brand 11, listeners Related Tags jazz piano piano jazz Dollar Brand changed his name to Abdullah Ibrahim , and preferred to be called this. Out of courtesy to him, and to help Last. Near Mint - minus Black vinyl that may show a slight amount of dust or dirt. Should still be very shiny under a light, even with slight amount of dust on surface.

One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks. May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. Buddah and ABC pressings from the 70's are a good example of this.

May have some slight marks from aging of the paper sleeve on the vinyl. Possible minor surface noise when played. Should still shine under a light, but one or two marks may show up when tilted. Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail. This is the kind of record that will play "near mint", but which will have some signs of use although not major ones.

May have slight surface noise when played. Very Good Vinyl can have some dirt, but nothing major. May not shine under light, but should still be pretty clean, and not too dirty. May have a number of marks 5 to 10 at most , and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail. May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.

This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new. Very Good - minus Vinyl may be dirty, and can lack a fair amount of luster. Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper. This is the kind of record that you'd buy to play, but not because it looked that great.

Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record. Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface.

The record should play okay, though probably with surface noise. May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips. In general, this is a record that was played a fair amount, and handled without care.

A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout. Good A record that you'd buy to play, cheap, but which you wouldn't buy for collecting. Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips. In most cases, a poor quality copy of a very difficult to find record.

Fair This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. Poor Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum.



Do you know any background info about this album? Start the wiki. Don't want to see ads? Subscribe now. There was an issue displaying the shoutbox. View all shouts. View full artist profile. View all similar artists. View all trending tracks. Loading player…. Scrobble from Spotify? Connect to Spotify Dismiss. Sign in to add this item to your open order. Add this item to your cart then checkout as usual. The following grading conditions apply to the vinyl component of an album or single:.

Sealed This is what it says, that the record is still held fast in shrink-wrap. Near Mint Dusty Groove does not use the grades of Near Mint or Mint, for that matter because in our experience, we find that no records ever qualify for such a high grade. Near Mint - minus Black vinyl that may show a slight amount of dust or dirt. Should still be very shiny under a light, even with slight amount of dust on surface.

One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.

May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. Buddah and ABC pressings from the 70's are a good example of this. May have some slight marks from aging of the paper sleeve on the vinyl. Possible minor surface noise when played. Should still shine under a light, but one or two marks may show up when tilted.

Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail. This is the kind of record that will play "near mint", but which will have some signs of use although not major ones. May have slight surface noise when played.

Very Good Vinyl can have some dirt, but nothing major. May not shine under light, but should still be pretty clean, and not too dirty. May have a number of marks 5 to 10 at most , and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail. May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.

This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new. Very Good - minus Vinyl may be dirty, and can lack a fair amount of luster. Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper. This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.

Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface.

The record should play okay, though probably with surface noise. May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips. In general, this is a record that was played a fair amount, and handled without care.

A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout. Good A record that you'd buy to play, cheap, but which you wouldn't buy for collecting. I guess this is one of the reasons I pop into look at your stuff. I love his playing so much, my dad is a big fan of his. Totally agree. Will keep an eye out. Sounds like the old man turned you onto some very cool music.

The Duke Ellington connection and black Sabbath? I may have to violate my anti-jazz policy in order to not die of curiosity. More of an African LP than a jazz one really. Check it out: How could you not love this?



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Listen free to Dollar Brand – Black Lightning (Black Lightning, Little Boy and more). 4 tracks (). Discover more music, concerts, videos, and pictures with the largest catalogue online at ziggysbeachbar.com Dollar Brand (Abdullah Ibrahim): Black Lightning (LP, Vinyl record album) - An album that was issued in the US, but which actually features excellent work that Abdullah Ibrahim -- Dusty Groove is Chicago's Online Record Store. Black Lightning hails from and is a real oddity amongst the Dollar Brand LP’s that I own / have heard as it has an interesting, almost rock/pop production and commerciality about it. The LP kicks off with the title track, 14 minutes of rolling bliss beginning with a fantastic lightning bolt / clap of thunder sound effect straight out of a discarded Sabbath tune.